'Near and dear birches', 2023. Rothschild str., Tel Aviv Jaffa. Fabric, acrylic, plastic buttons. I did ‘shirts’ for trees that look like birches bark and covered Poinciana trees at the center of Tel Aviv, near the Founders Fountain as a representation of my nostalgia and immigrant "black sheep" feeling.

‘Me and my baby’, red clay sculpture looks like a vessel without a bottom combined with an ocarina on the top. Inside the object, there is a small speaker with a sound of the object itself. The reference is the sounds that a baby hears in the womb.

'Fight with a birch'. Performance 5 minutes. 3 soft cylinders 2.6 meters high, painted like birch tree trunks, hang on a ceiling. An artist in a boxing uniform and gloves starts beating them. This performance continues my painting project where I combined the vegetation of Israel with the flora of northern nature, which is native and thus much more familiar to me. While reflecting on the theme of the house, I realized that my nostalgia for the usual way of life extends to nature almost as much as to friends. This performance represents my relationship with my motherland: I hate it and I love it at the same time.

'Fungi'. About 80 x 50 cm, papier mache, cardboard, construction foam, acrylic, with a speaker inside.

'Family Portrait' Plastic bag 36 x 27 cm, permanent marker, perfume, craft paper 30 x 40 cm, 2023. I drew from screenshots made during video calls to my closest family members and friends who are far away from me, and I have not seen them for years.

'Let go', 2022. Craft paper, pens, audio track, sofa bean bags https://on.soundcloud.com/6b5A7 In collaboration with composer Alexey Shlykov (Mr. Pepper) artist invites you to become participants in the ritual. Make yourself comfortable, and sit down on the bean bag to think about what to write down on paper: your desires, fears, and thoughts. Make an airplane out of this experience and “let go” right here in the hall.

'Artist', 2022. mannequin 160 cm, dress, tablet Work can be hugged, or touched. If it will be a video call on the tablet you can answer,it’s Masha Neverova who wants to talk to you.

'Rite of Swaddling' 2021 T-shirt, embroidery. I saw one IGTV video on Instagram where a doula (birth assistant), among other tips, suggested wrapping a newborn in a father’s t-shirt so that he would receive immunity through his father’s microbiome and grow up healthy. In this project, I give in to the desire to perform a protective ritual for my child at the moment of transition between states, after bathing — a small transition — I wrap my two-month-old son in my husband's t-shirt, and then I make a seam along the contour of the wet print.

'Sugar', 21-day challenge without sugar. Instead of eating deserts with sugar, I drew it and post in instagram.

'Warm memories', 2020. Canvas, embroidery, 60 × 80 cm For many people, the beginning of 2020 was marked by a series of deaths of loved ones. I wanted to catch and capture the process of rewriting in my mind the image of a loved one from one virtual folder to another. The transition from ‘’I can chat, talk, call, come’’ to alternative and cold ‘’warm memories’’ is extremely painful. A project about personal losses that occur in everyone's life. Gone loved ones are sometimes more real to us than existing strangers. We can continue to mentally communicate with them for the rest of our lives, consult or conflict, never closing the folder of memories.

'V podole', mannequin, clothing, shoes, embroidery, thermal stickers, 2019. Often, low self-esteem becomes part of our personality and penetrates the body of consciousness, poisoning life, and causing suffering, and at the same time, it is often disguised as a voice of conscience, help, or good advice. It seems to us that we soberly assess our qualities, talents, and skills, but we are deceived by the usual form and do not at all grasp the destructive essence of these false statements.

'TRACK'. Corrugated cardboard, acrylic paint with liquid soap, acrylic thread 120 × 100 cm (2 pcs) 60 × 100 cm (2 pcs), 2019 Where I made prints with paint on cardboard, exploring an objective attitude towards my body. Second part: @myanthropometry Digital printing 10×10 cm (66 pcs) Analysis of my body and its capabilities, experimenting with diet and physical activity for 66 days instagram.com/myanthropometry – every day photographing with a mobile phone camera.

'Since schoolyard' 2019. As a child to avoid being bullied by teachers, I skipped classes and went for a walk in the park. To cover myself I wrote fake notes from my parents. Then I started to write those notes for other people.

'Word catcher'. Threads, buttons, 2019. Social networks and advertising adapt to our search history, which means that here we maintain the boundaries of old interests. It turns out that living in a time of information oversaturation, everyone is still isolated in their own layer, going beyond which becomes increasingly difficult.

'Therrormas/Not Birth'. Box with satin ribbon 19.5 × 19.5 cm, gift box 12.5 × 19.5 cm. Cell 47.5 × 47.5 cm New Year was invented as the holiday of the new Soviet Russia. Constructed in the 30s of the 20th century. A surrogate holiday for a new Soviet people a reflection of a surrogate new world. Collected from the remains of Christmas with the addition of elements of folklore, transferred from date to date, it was intended to become a new cult, just like its “inventor”. The New Year, as a contemporary of events, absorbed the difficult time of industrialization, collectivization, and great terror.

'Skin2' 100 × 60 cm (2 pieces), 46 × 63 cm (1 piece) corrugated cardboard, acrylic yarn, tempera, jewelry, paper, gel pen, ballpoint, 2018

'Skin1' 100 × 60 cm (2 pieces), 46 × 63 cm (1 piece) corrugated cardboard, acrylic yarn, tempera, jewelry, paper, gel pen, ballpoint, 2018

'100 red paper airplanes or 100 years of Russian history'. Performance, Haifa, Israel, 7 November, 2017 (15 min). 100 years since the Revolution is a very important date to me Russian born. I did a ritual as an act to leave the past and start a new page in history https://youtu.be/vEVOzA7mM7w

'Scroll'. Oil pastel, newsprint, thread, cardboard 130 × 80 cm, 2016